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in this work, birth (life) has diversity and polyculture as a symbol, materialized from sandalwood, sodalite, wood and the polychrome of lines. death, in these terms, has its monoculture presented from a state of monochrome.

 

in the territory in which we live (where, for the first time in Brazilian history, more people have died than were born), how to politically articulate a condition of living well as a counterpoint to necropolitics?